In the Morning
The sea smells like cucumber,
thinly sliced
straight from the fridge,
and with the sunrise
shadows shrink —
the cove is steaming like a bath.
The sea smells like cucumber,
thinly sliced
straight from the fridge,
and with the sunrise
shadows shrink —
the cove is steaming like a bath.
Again, these photographs remind me of a poem.
The Raspberry Room — Karin Gottshall
This is Just to Say
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
THE PROBLEM OF DESCRIBING COLOR
If I said - remembering in summer,
The cardinal’s sudden smudge of red
In the bare gray winter woods -
If I said, red ribbon on the cocked straw hat
Of the girl with pooched-out lips
Dangling a wiry lapdog
In the painting by Renoir -
If I said fire, if I said blood welling from a cut -
Or flecks of poppy in the tar-grass scented summer air
On a wind-struck hillside outside Fano -
If I said, her one red earring tugging at her silky lobe,
If she tells fortunes with a deck of falling leaves
Until it comes out right -
Rouged nipple, mouth -
(How could you not love a woman
Who cheats at Tarot?)
Red, I said. Sudden, red.
(Haiku Moment)
At the water’s edge
a boat waiting to be freed —
captured by my lens
the sky swallows a fire
to the west,
as i feed the ocean poetry
in an empty bottle.
The line runs from the hut along the dock
and into the sun that beats down on their backs.
They slowly shuffle forward
to watch her brushing butter on a disc of dough
and slap it on the smoking plate inside the hut.
The roti skin is brown
and blistered when she stirs the well-worn pot
of stew as yellow as a school bus.
She scoops the sauce
with cubes of curried chicken onto the flatbread,
then folds it neatly, like a package.
I take the parcel
thick with chickpeas fused with flavours
from the spices of a thousand summers.
And move into the shade
as gravy dribbles down my chin and on my feet
and down my arms and to my elbows.
The line runs from the hut
along the dock and into the sun that beats down
on their backs and on their necks.
She scrapes the bottom of the pot.
I am in love with Ocean
lifting her thousands of white hats
in the chop of the storm,
or lying smooth and blue, the
loveliest bed in the world.
In the personal life, there is
always grief more than enough,
a heart-load for each one of us
on the dusty road. I suppose
there is a reason for this, so I will be
patient, acquiescent. But I will live
nowhere except there, by Ocean, trusting
equally in all the blast and welcome
of her sorrowless, salt self.